Tuesday, February 10, 2009

Responsive Space - April 1-19,2009 opening reception Thursday, April 2 from 6-9pm


image credit: Alex McLeod, Building Test Fire #4, digital print, 2009



Responsive Space


In the Critique of Judgment, philosopher Immanuel Kant described the vastness of nature as one of the few physical examples that illustrates ideas of the infinite. He believed that the forces of nature were powerful enough to display that which was beyond human reason.

We feel the affects of the sublime in the stories and legends that shape our culture. In fairytales or Romantic writing, the landscape is used like a character to describe the emotion or psychology of the scene. Added to this is the tradition of landscape as artist's subject- attempts to capture the sublime through art.

Responsive Space calls to question these concepts by creating new ways to approach environments. Artists Alex McLeod, Laura Paolini, Stacey Sproule and Stanzie Tooth use landscape as an entry point to create their work, employing symbols and metaphors from the natural world as signifiers of the sublime in nature as well as our human reactions and affects on landscapes.

In an era where the human affects on the ecology of the planet are continually brought to question, we sometimes fail to stop and think about the majesty of nature. Responsive Space offers glimpses for new worlds beyond our everyday experience. Working in a variety of media, the common thread amongst these artists is an interest in the fragile connections shared between humans and nature. Like the stories from our childhoods, these artworks make sentiments about the sublime in our natural world. The morals of these pieces then, like fairytales, are dependent on our being drawn into the worlds they create.


Alex McLeod is an artist who is preoccupied with landscapes. His work is built in virtual space, using computer software generally used for film and advertising. In his digital worlds toy cabins and snowcapped mountains appear as if they could be leftovers from train sets. He has recently been included in the Magenta Foundation publication 'Carte Blanche 2'.
www.alxclub.com

Laura Paolini graduated from the Ontario College of Art and Design, holding a BFA with Distinction from the Sculpture/Installation Department in the Faculty of Art. Her theses on problematics in the history of art have appeared in arts based publications (both student and professional) and her artwork is succinct with the various responsibilities she holds professionally. Laura is the Intern and Projects Coordinator at Vtape, and she is the newest member on the Board of Governors for FADO Performance Art Inc. In Fall 2008, Laura joined the Media Lab at the Canadian Film Centre as an artist-in-residence. Produced with the support of the City of Toronto through the Toronto Arts Council
www.laurapaolini.com


Stacey Sproule is a performance and installation artist with an interest in tactility. Graduated from OCAD in 2007, she has a BFA in drawing and painting and has exhibited locally for four years. Her installations have been exhibited at Wynick Tuck Gallery, Xpace, and Awkward Gallery. In 2007, Stacey Sproule and Diane Borsato collaborated on a piece for FADO. Stacey also collaborates frequently with Randy Gagne including a performance at the 2008 Toronto International Art Fair and one at 7a*11d International Festival of Performance Art.
www.staceysproule.blogspot.com


Stanzie Tooth is a painter with an interest in landscapes and figuration. Stanzie graduated from OCAD in 2007 with a BFA in Drawing and Painting with an award of distinction for excellence in painting. Many of the narratives in her work have been shaped by her upbringing in rural Ontario and have been exhibited throughout Toronto. Most recently, her series, "Through the Woods" was featured at the Canadian Heritage Building.
www.stanzietooth.com


*concept design image. photo by unknown artist

An Imperfect Order - runs February 25-March 22, 2009- opening reception Sunday, March 1st from 1-4pm




The order society attempts to impose onto nature often proves to be imperfect. What people often perceive to be imperfection (chaos) in nature may in fact be a complex type of order.

Jim Reid and Peggy Taylor Reid often draw inspiration from the same rural Ontario landscape. Though they both draw inspiration from the same setting, their work is completely unique in style and concept. This exhibition shows the different interpretations of "ferals" by each artist.

Jim Reid's new work is an extension of his "Ferals" series, the subjects being feral orchards and primal forests. These paintings are done on-site in the landscape: large canvases are portaged to different locations throughout the year, and the paintings evolve through the extremes of the Canadian climate. Most paintings take many months to complete and through this process become densely layered and slowly transform as the landscape changes. The modernist ideal of "Truth to Materials" is extended so that the painting-process becomes a metaphor for the timeless natural cycles of growth and decay.

Peggy Taylor-Reid documents nature through photography. This work is a continuation of the artist's ongoing exploration which contemplates objects as traces and shadows of our physical world. Taylor-Reid seeks to place the experience of looking into the realm of personal experience where the act of seeing is a path to new knowledge and understanding of the complexity in the natural world. The work is designed as a critique of our over confidence of the cultural power of science and commerce. The installation and photographic recording methods are pseudo scientific with the aim of directing the viewer to a more poetic understanding.

Taylor Reid's "Feral Apples" are catalogued and photographed in a way that reflects the two most powerful forces in our culture: science and commerce, yet they steadfastly refuse to conform to either model. They are imperfect, un-uniform, remnants of heritage varieties most of which have been abandoned by commercial producers. The apples reveal the wondrous complexity, variability, and tenacity of the natural world and have the added dimension of culture interacting with nature.

Lonsdale Gallery is located in Forest Hill Village and was founded in 1995
as a gallery of contemporary painting, sculpture and photography.
For information contact Chad Wolfond or Stanzie Tooth at 416-487-8733; info@lonsdalegallery.com 410 Spadina Road, Toronto, Ontario, M5P 2W2, Wednesday—Sunday 12-5pm